Month: May 2020

Latin, literally “at first sight,” ablative of prima facies “first appearance,” from prima, fem. singular of primus “first” (see prime (adj.)) + facies “form, face” (see face (n.)).

prime (adj.)

late 14c., “first in order,” from Latin primus “first, the first, first part,” figuratively “chief, principal; excellent, distinguished, noble” (source also of Italian and Spanish primo), from pre-Italic *prismos, superlative of PIE *preis- “before,” from root *per- (1) “forward,” hence “in front of, before, first, chief.”

Meaning “first in importance” is from 1610s in English; that of “first-rate” is from 1620s. Arithmetical sense (as in prime number) is from 1560s; prime meridian “the meridian of the earth from which longitude is measured, that of Greenwich, England,” is from 1878. Prime time originally (c. 1500) meant “spring time;” broadcasting sense of “peak tuning-in period” is attested by 1961.

face (n.)

c. 1300, “the human face, a face; facial appearance or expression; likeness, image,” from Old French face “face, countenance, look, appearance” (12c.), from Vulgar Latin *facia (source also of Italian faccia), from Latin facies “appearance, form, figure,” and secondarily “visage, countenance,” which probably is literally “form imposed on something” and related to facere “to make” (from PIE root *dhe- “to set, put”).

Replaced Old English andwlita “face, countenance” (from root of wlitan “to see, look”) and ansyn, ansien, the usual word (from the root of seon “see”). Words for “face” in Indo-European commonly are based on the notion of “appearance, look,” and are mostly derivatives from verbs for “to see, look” (as with the Old English words, Greek prosopon, literally “toward-look,” Lithuanian veidas, from root *weid- “to see,” etc.). But in some cases, as here, the word for “face” means “form, shape.” In French, the use of face for “front of the head” was given up 17c. and replaced by visage (older vis), from Latin visus “sight.”

From late 14c. as “outward appearance (as contrasted to some other reality);” also from late 14c. as “forward part or front of anything;” also “surface (of the earth or sea), extent (of a city).” Typographical sense of “part of the type which forms the letter” is from 1680s.

Whan she cometh hoom, she raumpeth in my face And crieth ‘false coward.’ [Chaucer, “Monk’s Tale”]

Face to face is from mid-14c. Face time is attested from 1990. To lose face “lose prestige” (1835), is from Chinese tu lien; hence also save face (1915). To show (one’s) face “make or put in an appearance” is from mid-14c. (shewen the face). To make a face “change the appearance of the face in disgust, mockery, etc.” is from 1560s. Two faces under one hood as a figure of duplicity is attested from mid-15c.

“color,” Old English hiw “color; form, appearance; species, kind; beauty,” earlier heow, hiow, from Proto-Germanic *hiwam (source also of Old Norse hy “bird’s down,” Swedish hy “skin, complexion,” Gothic hiwi “form, appearance”), from PIE *kiwo-, suffixed form of root *kei- (2), a color adjective of broad application (source also of Sanskrit chawi “hide, skin, complexion, color, beauty, splendor,” Lithuanian šyvas “white”).

A common word in Old English, squeezed into obscurity after c. 1600 by color (n.) but revived 1850s in chemistry and chromatography, often in a distinctive sense in reference to the quality of color other than luminosity and chroma.

1530s, “not subject to dispensation,” from Medieval Latin *indispensabilis, from in- “not, opposite of” (see in- (1)) + dispensabilis, from Latin dispensare “disburse, administer, distribute (by weight)” (see dispense). Meaning “necessary” is from 1690s. From 17c. into 19c. often spelled indispensible, but modern dictionaries considered this improper.

As a noun, “indispensable thing,” from 1794; c. 1800-1810, after French use, it was the name of a type of pocket bag worn by women. indispensables (1820) also was one of the many 1820s jocular euphemisms for “trousers” (see inexpressible). Related: Indispensably.

“well done!,” 1761, from Italian bravo, literally “brave” (see brave (adj.)). Earlier it was used as a noun meaning “desperado, hired killer” (1590s). Superlative form is bravissimo.

It is held by some philologists that as “Bravo!” is an exclamation its form should not change, but remain bravo under all circumstances. Nevertheless “bravo” is usually applied to a male, “brava” to a female artist, and “bravi” to two or more. [“Elson’s Music Dictionary,” 1905]